A groundbreaking two way live glasses free 3D video conference was conducted at Ravensbourne 3D Storytelling on Thursday. We can now reveal the results.

We speak to Cinesite who reveal details of post producing John Carter 3D including a new way of converting 2D footage into stereoscopic 3D.

Managing Director of 3D distributor Global Media Consult outlines what stage the 3D industry is at right now and his hopes for MIPTV.

EXCLUSIVE – The BBC’s Tim Plyming reveals ambitious plans to make the London Olympic coverage the world’s first truly digital television Olympics.

Duncan Humphreys from Can Communicate says there are only so many 3D sports/music shows people will watch and that other genres must be produced in 3D for 2012.

3D Mania’s Laurent Baldoni reveals his disappointing that 3D ads are still rare, why stereographers won’t be replaced & why 3D filming rules can be broken.

Orbcreation hopes to revolutionise the Internet with a ‘drag and drop’ platform which will offer websites as virtual 3D worlds – including stereoscopic 3D.

Michael Hall from Sharp Cookies and Craig Sciba from Merlin Entertainment tell 3D Focus how they created Merlin’s most ambitious 4D experience.

BAIT 3D, a high intensity thriller movie shot in native 3D, is due out in Australia September. We speak to producer Mike Gabrawy & stereographer Markus Stone.

In December 2011, the 3D Stereo MEDIA Summit takes place. What can visitors expect in the 3rd edition of the multi-faceted 3D event? Founder Alexandra explains

We find out just what makes Safety Geeks creators David Beeler and Tom Konkle tick, and ask what 3D brings to the comedy genre.

After announcing 3D production house Colossus Productions with Sky 3D, Atlantic Production’s Anthony Productions warns the 3D industry is in a critical period.

In this exclusive interview, highly experienced cinematographer Vince Pace explains what he thinks directors need to do to win back 3D audiences.

IMAX Head says IMAX theatres are not suffering from the 3D tickets sales slump. He also discusses IMAX Digital 3D and the ODEON / IMAX partnership.

3D Focus exclusively interviews Simon Stanley-Clamp, VFX Supervisor from Cinesite who worked on one of the chase sequences in Pirates: On Stranger Tides 3D