The British animated “The Good The Bad and A Horse” is an 11 minute 4D experience that will premiere at attractions and theme parks this summer.

In 2nd part of our interview with Legend3D’s Barry Sandrew we discover that high frame rate movies are inevitable and the 3D Blu-ray market is heating up

Dr Barry Sandrew, Founder & CCO/CTO of Legend3D, reveals that Top 3D on Blu-ray is doing better than expected and more in first part of exclusive interview

Avatar producer Jon Landau reveals that Avatar 2 and 3 will break new ground by being the first film to use performance captured actors filmed underwater.

Europe’s largest cinema chain is testing the concept of only showing 3D versions of The Croods in selected sites to increase revenue

nWave Pictures acquires worldwide distribution rights to Penguins 3D for REALD, IMAX and giant screen 3D

Horror site Fangoria stereographer Jason Liquori starts converting ‘The Veil’ to 3D plus public domain western and sci-fi movies.

Lucasfilm postpones 3D releases of further Star Wars movies to concentrate on new Star Wars trilogy

Exclusive – Baz Luhrmann discusses the use of 3D to achieve a greater connection with the drama’s characters

Movie studio Lionsgate has announced an intention to dimensionalise a series of action movies for 3D Blu-ray and V-O-D.

In this exclusive feature, Ted Schilowitz from RED, the company who’s cameras were used on The Hobbit, explains the challenges high frame rate movies face.

Gareth Daley, 3D Camera Supervisor of The Hobbit, talks about the reasons for shoot at 48fps

Cinema chain Odeon & UCI will be screening The Hobbit in high frame rate 3D at 100 theatres across Europe.

Released exclusively in China, the re-release of disaster movie 2012 in 3D has already proved to be a lucrative decision for Columbia Pictures.

Gallien Chanalet-Quercy, CEO & founder of Cow Prod, talks about the challenges and benefits of shooting extreme sport film, ‘Ride & Fly’ at 48 frames per second.