Guests at the Star Wars Celebration VI conference next week will be treated to a first look of the second Star Wars 3D conversion

The conversion of Will Smith’s robot flick i Robot will be released on 3D Blu-ray, skipping a cinema re-release.

Cineworld’s chief financial officer has said that 3D movies are still contributing to the chain’s profit but customers where getting more selective with 3D.

The film that kick-started the latest 3D craze towards the end of the last decade will finally be made available for all 3D Blu-ray owners.

Ridley Scott is spearheading a competition presented by Nintendo 3DS XL and the BFI called Vision in 3D.

As the appetite for 3D has cooled considerably since the heady days of Avatar, James Cameron, like others, is looking to China

Exclusive interview with director Qiang Bai about Transcendence and the challenge of satisfying China’s demand for 3D within strict government censorship rules.

Warner Home Video will re-release the Hitchcock classic with improved 3D and upscaled resolution in October with House of Wax 3D to follow.

Twentieth Century Fox has revealed the studio will be converting the Will Smith 1996 blockbuster Independence Day to 3D for a 2013 re-release

Prometheus Aerial Unit Stereographer Adam Sculthorp urges cinema goers to choose the 3D version otherwise they will miss Ridley’s true vision for the movie

The production of a modern 3D twist of Dicken’s classic Oliver Twist, looks set to go ahead as Red Bull Media sign up to produce the parkour based film.

A Guinness World Record was awarded to Sony Pictures for its giant 26m x 14m 4K 3D projection of the Men In Black III German premiere in Berlin.

Film distribution and production company Bona Film Group, plans to produce two or three 3D features this year out of a new centre based in Tianjin.

Matthew Eyre, VP of Operations for Cineworld, talks to 3D Focus about high frame projection, expectations for Prometheus, brighter 3D images and motion seating.

NAB: Titanic producer Jon Landau has argued that converting back catalogue films into 3D is best done in conjunction with the original filmmaker